Design For A Pleasing Commute


Wolkon by feld72 architekten zt gmbh, Mistelbach-Paasdorf, Austria

Designing bus stops and stations doesn’t have the cache of revolutionizing mass transportation (à la the Hyperloop). Even riding the bus seems to be a lower form of public transportation when compared with a subway or train. Some urban planners such as Robert Moses designed highways and roads with bridge overpasses so low a bus couldn’t fit under.


Busstop Park+Ride Citybus Groningen by Lysbeth de Groot, Hoogkerk, Netherlands

The truth is buses are the workhorses of regional transport. They ease urban congestion and provide a green solution to commuting. And they—and their stations and stops—comprise a vital part of the metro area’s infrastructure and character, seen and used by many more people throughout its lifespan than the average home.

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Bus Station Osijek by Rechner Architects, Osijek, Croatia

Collaborative Creative Product Design For Architectural Projects

Architects, artists, and designers have a long history of collaborating with manufacturers to mass-produce designs. The technological advances of the Industrial Revolution made it possible for aesthetically pleasing, utilitarian pieces of furniture and home goods to be available to everyone, leveling the consumption playing field. The idea was that better design would lead to better quality of life for all.

These collaborations continue today, the combination of technical and aesthetic expertise resulting in the best of both worlds. Here are examples of a few partnerships that have successfully combined the aesthetic and the utilitarian.


IN-EI, Issey Miyake for Artemide. Image via.

Miyake is known in the fashion world for his innovative use of fabrics and materials, and his foray into lighting design does not disappoint. “[The] project revolves around a fabric derived from entirely recyclable materials, diffusing light in extremely interesting ways,” Miyake explains. “It is a retreated fibre made using PET bottles.” The unique fabric provides a modern update to traditional Japanese lighting design.

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Jonathan Adler Colors, Jonathan Adler for Kohler Co.

Interior and home décor designer Jonathan Adler is known for his bold use of color, and this series of sinks brings that love to one of the most utilitarian household objects.


Recycled Stripes, 2X4 for Maharam Digital Collections. Images via.

Maharam, a family-run business specializing in textiles, has released a “Digital Projects” line that features collaborations with both established and up-and-coming artists, designers, and architects. One result is this wall covering, a one-of-a-kind design that is durable and washable.

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The Gesamtkunstwerk Of Contemporary Art Galleries


Kukje Gallery by Solid Objectives – Idenburg Liu, Seoul, South Korea

Most modern art galleries have a uniform design known as “the white cube.” Brian O’Doherty describes the design in a group of essays published by Artforum in the ’70s, writing, “[a] gallery is constructed along laws as rigorous as those for building a medieval church… Walls are painted white… The wooden floor is polished… the art is free, as the saying used to go, ‘to take on its own life.'” These rules leave little room for distinction, and apart from the art itself, the architecture of the building becomes the sole means of expression.

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Art Warehouse in Boeotia by A31 ARCHITECTURE, Dilesi, Greece

Like museums, galleries have begun to invest in their architecture in an attempt to separate themselves from the crowd and become an “icon.” Good architecture can turn galleries into gesamtkunstwerk, or total works of art. The following galleries from the Architizer database are examples of the contemporary impulse to emphasize both the art on display inside a gallery and the building that houses it, creating a holistic experience for the gallery visitor.

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Sperone WestwaterFoster + Partners, New York, New York



The Cube Pop-Up Takes Dining To New Heights


The Cube by Park Associati

To be effective, a pop-up restaurant needs a sense of theater. The experience should be tantalizingly ephemeral, lasting only as long as the tastes and smells coming out of the kitchen. Architecture’s role is to provide the perfect space for the drama to unfold.


The Cube by Park Associati

Some projects amplify the excitement by placing a restaurant somewhere it’s never been before. The Cube by Park Associati, a traveling pop-up sponsored by Electrolux kitchen appliances, takes the idea of unexpected restaurant placement to new heights: the restaurants alight on the top of monumental structures, such as the Parc du Cinquantenaire in Brussels, becoming sleek, modern interlopers among classical architecture. There are two versions of this modular restaurant traveling through European cities on a three-year schedule.

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The Cube by Park Associati

Ramblin’ On Ranch Houses


The Houl by Simon Winstanley Architects, Kendoon, GB

Mid-century America was dominated by the ranch, those low horizontal homes typified by a rambling floor plan. Indeed, the ranch—or “rambler”—accounted for a whopping 9 out of 10 homes built in the US during the 1950s. But by the 1970s, the rambler’s allure began to fade. As the US grew more prosperous, and as such post-war ideals about community and family made way for post-modern cynicism and individualism, Americans began to clamor for larger homes that reflected their personality.


Experimental Ranch by Marmol Radziner, Los Angeles

But recently, the ranch has enjoyed a resurgence, due to the economic recession and the design’s wide availability and reasonable prices. Though long maligned for its uniformity, these contemporary versions have proved that the ranch can be stylish and modern.

Continue reading the article here.


Okitu House by Bossley Architects, Gisborne, NZ

An Eatery That Actually Feels Like Home


Ristorante Lacucina  by Archiplan Studio

Restaurants are public spaces meant for commerce; money is exchanged for food and service. The challenge faced by Archiplan Studio in the design of Ristorante Lacucina was to balance the inherent commercial nature of a restaurant with the desire of the client for a relaxed environment evocative of eating at home.


Ristorante Lacucina  by Archiplan Studio

The furniture in the space was designed by Archiplan, and includes a large table to be used for family style dining. Natural wood with white lamination add a rustic sophistication. The unfinished wood employed in the furniture corresponds to the exposed beams in the ceiling, creating a visual link between them.

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Ristorante Lacucina  by Archiplan Studio

Contemporary Modular Design

Transforming and growing according to the needs of the user is a key characteristic of modular architecture and design. It’s almost like a collaborative process, with the designer creating a system and the consumer implementing it to suit their needs.

Similar to wooden building blocks, the individual units are simple: a square, a rectangle, a tube—a table or chair. In combination the modules become increasingly complex and customizable, changing to fit the situation.

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MIMA House by MIMA Architects

The exterior and interior walls of this prefabricated home can be easily moved, allowing a the homeowner to customize the space.

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04 Counter, Tools for Life by OMA for Knoll

Photos: Agostino Osio, courtesy of OMA and Knoll

The 04 Counter is Rem Koolhaas’ signature piece of his line of furniture for Knoll. “Beginning as a monolithic stack of three horizontal beams, the user can rotate the top two beams and transform this wall-like unit into a series of shelves and cantilevered benches—a metamorphosis from a spatial partition to a communal gathering place.”

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Axor Bouroullec by Hansgrohe